Choosing a pixel pitch. Pixel pitch is the distance between the centres of two LED pixels. As a rule of thumb, the pitch in millimetres roughly equals the minimum comfortable viewing distance in metres, so 2.6mm suits audiences about 3 m or more from the screen and 3.9mm about 4 m or more.

What it means for resolution. A wall’s pixel count is its width and height divided by the pitch. A 5 x 3 m wall at 2.6mm has roughly 1,920 x 1,150 pixels, close to Full HD width. The same wall at 3.9mm has roughly 1,280 x 770 pixels. Content should be prepared at the wall’s native resolution so it stays sharp.

Curved and corner builds. Curved walls suit wide stages and immersive backdrops. Perfect-corner walls join two surfaces at a clean 90° angle for corner stages and booths.

Calibration. Brightness and colour are matched across panels, then tested with your content before doors open.

Pitch and distance. Outdoor audiences usually stand further back, so a coarser pitch works. By the same rule of thumb, 3.9mm suits viewers about 4 m or more away and 4.8mm about 5 m or more.

Brightness. Outdoor screens must compete with daylight, so they need far higher brightness than indoor walls. Sun direction and glare on the screen face matter as much as the panel itself, so we discuss placement with you.

Structure and wind. A large screen catches wind like a sail. The mounting, ballast and bracing are planned together with the screen size and the site.

Power and signal. Outdoor sites need reliable power distribution and a clean video signal from the source to the screen. We confirm both when we review your venue.

Sightlines first. Screen height, angle and position decide whether everyone can see. We check obstructions such as stages, tents and trees against the audience area.

Pitch for far viewers. When most viewers are far away, a coarser pitch is usually acceptable and keeps weight, power and cost lower than a fine-pitch wall of the same size.

Live camera feeds. For live video, a video processor and a backup signal path are good practice, so the picture survives a cable or source failure.

Structure. Large walls need engineered mounting, ballast and bracing planned before installation day.

Placement. A trailer needs flat, accessible ground, a route for towing and enough clearance around it. Tell us the exact spot and we plan around it.

Power. With an onboard generator, no venue power hookup is needed. If mains power is available at the site, tell us and we can confirm the best option.

Permits. Using a trailer in public areas usually requires a permit. We can guide you through what to ask for, but please confirm requirements with the relevant authority.

Content format. A trailer screen has a fixed aspect ratio. We can send the resolution and ratio so your content is made to fit.

Design for motion. People passing a moving screen see a message for only a few seconds. Short messages, large text and strong contrast work best.

Routes and stops. Campaign results depend on where the truck is seen. Plan your route and stopping points around busy areas and your target audience.

Day and night. Daylight needs high brightness, while evening viewing needs lower brightness so the image does not glare. Brightness and schedule can be planned together.

Permits. Driving or parking an advertising vehicle in public areas usually needs approval. Please confirm the requirements for your route with the relevant authority.

Content must fit the shape. Non-rectangular screens need content mapped to their shape rather than a standard 16:9 video. We can help with the mapping and playback setup.

Start from your idea. Share a sketch, reference image or dimensions and we advise on what can be built and what it needs to run.

Transparent and mesh screens. These let light and sight lines pass through, so they suit glass fronts and open structures. The image is usually less dense than on a solid wall.

Testing. Custom builds are tested with your content before the event.

Close viewing. The finer pitches (1.8mm and 1.9mm) suit viewers standing a short distance away, such as visitors at a booth or lobby.

Design in portrait. Posters are tall and narrow, so content should be made in a vertical format instead of cropping landscape video.

Multi-screen effects. Several posters can be synced to play one image or a sequence, for example a row that forms a tunnel or a wall of motion.

Remote updates. Network-controlled models can be updated from the cloud, which helps for multi-day events or several locations.

Bring your app or web page. Tell us the operating system and software you use so we can match the kiosk and preload it.

Plan the network. Venue Wi-Fi is often busy at large events. If your kiosk app needs the internet, ask about a wired or dedicated connection, or an app that works offline.

Branding lead time. Enclosure branding and a customised interface take time to prepare, so share artwork early.

Placement. Think about queue space, screen height and glare from lights or windows near the kiosk.

Brightness guide. For rooms with controlled lighting, around 2,800 to 3,600 lumens is usually enough. For daylight or outdoor screenings, 5,000 lumens or more is recommended.

Throw distance. Image size depends on how far the projector is from the screen and on its lens. Tell us the room size and screen size you want, and we recommend a matching projector.

Ambient light. Light in the room is the biggest factor in picture quality. A projector looks best in dim or dark rooms, and LED screens are often the better choice for bright spaces.

Connections. Tell us your laptop or device ports so we bring the right cables or adaptors.

Size and distance. Choose the screen size by how far your audience will be. Bigger screens suit larger rooms and longer viewing distances.

Stand or wall mount. Floor stands are quick and movable. Wall mounts save floor space, but need a suitable wall, so tell us if you plan to use one.

Portrait signage. Vertical signage displays need content designed in portrait format.

Multi-screen playback. For several screens showing the same or linked content, a media player keeps them in sync.

Capacitive or infrared. Capacitive touch responds to a finger much like a phone screen. Infrared touch typically works with gloves and pens and is common on larger panels. Tell us who will use the screen and we recommend one.

Match your software. Share the apps or websites you will run, and the operating system they need, so the right unit is prepared.

Height and glare. Place the screen at a comfortable touch height and away from direct light that reflects on the glass.

Stand or mount. Choose a freestanding unit for flexible positions, or a wall-mounted panel for fixed locations.